The Farewell
The Farewell rests on a dialogue between the three scenic elements dance, music and light, created and directed by Jan Maertens, and wants to research how these mutually interpret, converge or diverge.
Tres Scripturae
With Tres Scripturae, Etienne Guilloteau has created an open space between illusion and deconstruction, intelligence and abstraction – a space in which spectators can give free rein to their sensibility and imagination.
Vor deinem Thron
Die Kunst der Fuge is the last fugue Bach composed, though he never completed it. The chorale Vor deinem Thron is often played to round off this fugue. Claire Croizé and conductor Frank Agsteribbe of B’Rock chose it as the title for their first joint venture. Together, Claire Croizé and twelve musicians stage a dialogue between three elements: dance, lighting and live music.
Once Upon A Time In Petaouchnok
Once upon a time in Petaouchnok is situated on the boundary between documentary and fiction. In this performance Nada Gambier presents a group of people attempting to survive in an environment that is essentially incomplete.
Affected
Affected is about three solos for three women of the same age, set to the music of Gustav Mahler. The piece is dealing with the identity of these women confronted by the sense of their own finiteness, while bringing them face to face with their own solitude.
Dido
Dido is a video installation performance, performed in the frame of Kino Eye #7 - Evacuation, produced by Monty theater. For this production, Claire Croizé worked in collaboration with Etienne Guilloteau.
Act of Living
In this story two men and a woman embark on a journey believing that connecting with each other might rescue them, only to realize that in life we remain utterly alone. Having to cope with social pressure, they find themselves failing in all aspects of communication.
La Magnificenza
In La Magnificenza, Etienne Guilloteau appears to be looking at the other side of the coin, creating an unconstrained choreography without any guiding dramatic composition. A choreography which gives the viewer the space to look uninhibitedly at what the moment itself has to offer.
Confessions
In Confessions - The autopsy of a performance presence takes the leading role, guides the piece and brings the awareness on the absurdity of theatre, on the construction of a lie that is built to be believed in.
Blowing Up
Blowing Up is an exceptionally pure and bold performance by a young choreographer: alone and vulnerable on stage, alone with her own body and gravity.
Skènè
We only play games to grasp the space that surrounds us, to organize it so that it will never escape us.
Love Me Two Times
Traces that are not telling a story, but let themselves be filled in and recomposed by the memory of the spectator. The memory is activated in the void and absence between the fragments that remained.